Verdana font pairing

Finding font pairings that set each other off, don't fight the eye for attention, and harmonise without becoming homogenous and dull is an art. The age-old rule goes: concord or contrast, but don't conflict. But with so many professional typefaces and free fonts to choose from, how do you find two that work in harmony? Read on for our pick of the best font pairings — or jump to the end of page 2 for some top tips on finding your own.

If you need to brush up on your typography knowledge, take a look at our guide to the different font types you should know. Calvert is a punchy slab serif from Monotype, named after its creator Margaret Calvert. For an ideal font pairing, try sans-serif Acumin. This typeface comprises a massive 90 different fonts still confused about the difference? See our explanation of font vs typeface.

It has been designed by Robert Slimbach as part of the Adobe Originals initiative, and to access it you'll need a Creative Cloud subscription. Google Font Montserrat was designed specifically for use online, while Courier New is a classic typewriter font. On paper metaphoricallyyou might not think they'd make the ideal font pairing, but you'd be wrong.

Montserrat's light, modern sans-serif letterforms offset Courier New's heavier, retro vibe perfectly. Skolar's type foundry, Rosetta, describes it as "a typeface for complex typography".

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To back that up, it boasts a vast character set, and comes in Latin, Cyrillic, Greek, Devangari and Gujarati scripts. The typface itself sports low contrast, a relatively large x-height and robust serifs, which means it remains legible even when used at small sizes.

Our font pairing is popular web font Proxima Nova. This was designed, by Mark Simonson, to mix modern proportions with a geometric appearance. The family has a slightly calligraphic edge, and is designed to be suitable for long blocks of text.

However, the small caps variant is best suited to headers. For a delightful font pairing with an unintentionally tropical theme, try Pacifico and Quicksand.

The former is a pleasingly free and flamboyant brush font that's ideal for use in headings. The latter is a sans-serif with rounded terminals and some quirky touches — including that distinctive descender on the uppercase 'Q'.

Font Pair helps you pair Google Fonts together

Quicksand was actually also designed as a display typeface, but it's clear enough to work well at small sizes, too. If you're aiming for a professional look, this is a great font pairing to try. Julius Sans One works only comes in one weight and is an all-caps font, but it's a top choice for a display font, with its fine stroke and broader baseline. The more geometric Archivo Narrow is a perfect match. It has been designed to work equally well in print and digital.


Display font Playfair draws inspiration from the period in the 18th century when quills were being replaced by pointed steel pens.Get it right, and your posterwebsite or flyer design will become so much more dynamic. Pairing fonts together require a deft touch and a keen eye — all the makings of a sophisticated graphic designer. That said, here are some tips and tricks you can follow to ensure success with your font combinations.

The whole idea of using multiple fonts is to create visual diversity, so there's no point choosing two that are broadly identical. Equally, two very different fonts could be in danger of pulling your design in opposite directions. The idea is that, if you get the combo right, the viewer is almost unable to notice what you have done.

The most straightforward way of guaranteeing that a font pairing works perfectly is by using different fonts within the same typeface family. Any font combinations will work well together, so by keeping it in the family, you cannot go wrong. As with colours, typefaces will often conflict if they are too similar imagine pairing hot pink with dark red. Contrast, when done right, is about finding surprising and bold oppositions in style, that brings out the best in each other. Serif fonts are slightly more old-fashioned and traditional examples include Times New Roman and Garamond and always have strokes at the edges of letters.

By contrast, sans-serif fonts are sleek and modern examples include Futura and Helvetica and never have strokes, opting instead for clean lines. A strong superfamily will include serif and sans serif variations of the same typeface, as is the case with Lucida and Lucida Sans.

If you find a superfamily that includes both serif and sans serif, then you have got yourself a ready-made contrast package for font combinations. The most important thing when combining two very different fonts is establishing a clear hierarchy between the two.

This can be achieved by varying the size and weight of each typeface or even incorporating colour into the mix.

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Try an eye-catching, 30pt title in white sans-serif Futurawith a subtle, neutral grey, 12pt subtitle in serif Garamond. This will undoubtedly present Futura as your primary font, and Garamond as your go-to alternative for detail, extra information and support. However, with such a diverse world of professional typefaces and a growing range of free fonts to choose from, how can you possibly choose just two? Mixing two such strong typographic personalities is a risk that rarely pays off, as they end up fighting it out.

In contrast, Futura is boldoptimistic, and serious, concerned with modernism and forwardness. Following Bauhaus principles of futurism, Paul Renner created Futura inemphasising geometric forms; hence we find within each letter near-perfect circles, triangles and squares. So here we have two very different typefaces, from two different time periods, created for almost different purposes, that somehow bring out the best in each other. The slightly innocent smile of Souvenir plays into the strident personality of Futura in a way that lightens the mood of both.

One of the classic slab serifs, Rockwell was designed by the Monotype Corporation in and has a tremendous amount of personality and attention-grabbing potential when used in bold. It has a very geometric quality too — think of it almost like the serif Futura.Most projects will require a font pairing of two or more fonts—headlines and body copy, for example—and finding the perfect combination is a tricky, intuitive art.

A strong font pairing is like a good relationship. The fonts need to share some basic commonalities, while also preserving their sense of individuality. Great font pairings start by understanding the different families of type serif, slab, sans serif, script, and handwritten well enough to combine them in a powerful way. But different weights of the same font can be used in harmony—like a sans serif in a demi-bold paired with a light italic.

A combination like this will have a subtler effect than one that utilizes two totally different fonts. If your logo uses a beautiful handwriting font, stick to something classic and clean for your second one.

Two wildly interesting fonts will feel disconnected and out of sync with one another.

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Finally, pay attention to legibility. A classic serif or clean sans serif can both work for long paragraphs of text, while a heavy sans serif will be better suited for headlines. These two classic workhorses are a perfect pair. Quando and Judson are both serifs with a good dose of character and feminine charm. Also long as one is dominant Quando is heavier, with more exaggerated serifsthe hierarchy will be clear and the combination will be successful.

While Allan brings the personality and throwback spirit of hand-painted signs, Lato keeps things modern in this fresh pairing. Vidaloka brings just a touch of playful vibes with its curled serifs. Pair it with a more staid body font like Roboto to balance the tone just right. These two fonts are well-known and well-loved. And with good reason. Pacifico brings the fun with its loopy script characters, while Josefin Sans plays a supportive role with light and clean lines. Look to combinations like this a script and a light, wide serif to bring both character and readability to logo designs.

Raleway brings a tiny note of sophistication to the pairing, with many letters like L and K ending in elegant feet. When pairing them, consider classic light serifs in the Garamond or Caslon families. Rockwell and Bembo are another absolute classic combination.

While Open Sans will provide a legible reading experience for any design, we especially like it paired with a modern serif like Old Standardwhich evokes an old school book or primer, creating a particularly nice tension. This combination is so perfectly we can barely stand it. This font pairing of Sanchez Nova and Proxima Nova captures perfectly that tension of new and old. Bebas is one of the strongest display faces on the market right now.

It never looks bad, and it pairs easily with serifs and other sans serifs alike. We like it with the open and clear style of Source Sans. Like any aspect of design, font pairing is a little bit of art and little bit of science. But never be afraid to push the boat out and try something new. Two fonts you never expected to combine well might be just the thing to break your design wide open!Are you a member?

Register or Login. The average man considers which flavor of Doritos will taste good with his Heineken. The sophisticated man considers which cheese will pair well with his choice of wine. The designer of course considers which two fonts will look great on the same page. The best part? You need only to copy and paste our code to implement these fonts on your site. Download thousands of stunning premium fonts and typefaces with an Envato Elements membership. Explore Fonts.

The web font game was up in the air a few years ago. Everyone had an idea and a solution but no one really knew which would be left standing when the dust settled. In my mind, this debate is over: font-face won. First, a pure CSS solution is one that developers can get on board with. Next, the fact that font-face fully supports text selection and actions such as copy and paste means that usability experts love it. Finally, the fact that you can easily cook up an font-face recipe for just about any font means that designers love it because they have a wide range of properly licensed fonts to choose from.

Now, within the font-face world there are many competitors. Since the Google Font Directory is free and has plenty of options, it seemed like a natural fit! Before we get started, there are a few basic rules that you can keep in mind when combining fonts. First of all, when possible, check out the various fonts within a single family.

These fonts have meticulously been designed to work together and are therefore the safest method of varying your font without creating visual discord. Try pairing a bold slab with a light sans-serif. If you mix two fonts that are fairly similar, the lack of contrast makes it look more like something is slightly off with the typography rather than the intended impression of two different typefaces.

Make it clear to designers and non-designers alike that two distinct styles are present. Also, limit yourself to only a few typefaces. If you can get by with two, do it, if not, stop at three.

Why I Hate the Verdana Font

In all but the most experienced hands, lots of different fonts wreak havoc on the cohesiveness of a design. Finally, let the content play a big role in your font choice. If your content is modern and professional, stick to fonts that suggest these qualities.We take the pain out of font matching by selecting 10 great web font combinations that will always work well together.

Choosing a typeface for your website is not always an easy task, and fixing on a successful pairing can be a particularly arduous task. One general rule of thumb when combining fonts is to use a serif and a sans serif together, to create contrast. Here we look at 10 great web font combinations that never fail to fit; the way they have been combined is based on using two complementing typefaces — one for the heading and one for the body copy — with both being interchangeable.

For this reason, we would recommend that you experiment with different sizes, weights, leading and so forth to get the most from your chosen typefaces.

verdana font pairing

For those who stick to web standards, this combination is always going to be a winner. The clean and neutral nature of Helvetica makes it a perfect partner for Garamond, one of the most legible printed serif typefaces around. Combined with Futura, it becomes part of a true power poiring — just ask any fashion magazine.

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Try experimenting with the condensed versions of Franklin Gothic for a really attention-grabbing headline. It works extremely well with the rather neutral Univers, a neo-grotesque sans-serif typeface.

verdana font pairing

When using Univers as your display font, try utilising the condensed weights. The organic, clean nature of this sans-serif face makes it a great match for the very readable Minion, a beautiful typeface that is inspired by the classical fonts of the late Renaissance.

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With its many ligatures, small caps, old-style figures, swashes and other added glyphs, Minion Pro is ideal for a multitude of jobs. In combination with the versatility of Myriad, this is even more true — just ask Adobe.

Gill Sans is one of those fonts that will couple up nicely with just about any other, so it is extremely versatile. Originally designed for use on the London Underground, it is highly legible and, when combined with such classics as Garamond, it can work visual wonders.

It works particularly well when paired with the earthy naturalism of Trade Gothic. If using Trade Gothic as the headline face, make sure you check out the condensed weights. This enables Avenir to work for both display and body copy, and to nestle very comfortably alongside old-style serif fonts such as Minion.

Select embed code Please copy and paste the code above. Below you can find three examples of great typographical brand identities. If you like what you see, we are based in Primrose Hill, London and would be delighted if you gave us a call on or email us at design steptoandson. OK I get it, now show me some examples….A tremendous amount of time, energy, love, and effort went into compiling and designing the 50 font pairings below.

I hope you find this to be a powerful resource that helps fuel your personal and client design projects for a long time to come. Speaking of which - I highly recommend clicking the button at the bottom right corner of your screen that says "Download this post as a PDF!

That way you'll always have this Google Fonts Collection as part of your personal library to reference any time you need it. Also, I'd be honored if you hit the "Share" button at the bottom right corner too and helped spread the word.

Our dream is for this post to help as many designers as we possibly can. Your help in spreading this to more designers is greatly, and warmly, appreciated. Care to gain insight into how we put this post together and what it's all about? Read the article that's placed immediately after the 50 font combinations! Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.

Structure having to do with logic.

verdana font pairing

If you don't do it right, the whole thing is going to cave in. In a certain sense, you can carry that to graphic design.

verdana font pairing

Design, just as art, has multiple definitions; there is no single definition. Design can be art. Design can be aesthetics. So what is design all about? It [exists to] decrease the amount of vulgarity in the world Style is tangible, quality is intangible.

I am talking about giving to everything that surrounds us a level of quality. My adventure has all been in my mind. The great adventure has been thinking.

I love to think about things.Have you ever looked at a poster using more than font and wondered, "How doth one know what goest with what, yo? We'll show you how to put them together. The first thing to know about fonts is that they sort into a few broad category types. So what's unique about each category?

Serif fonts come with a little footer or flourish, lending your text a distinguished and also highly legible look. No, seriously.

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Ancient Rome. Because of their storied past, people tend to perceive them as being trustworthy or lending validity to your words. Sans without in French Serif fonts are fonts without serifs. This gives them an overall clean, modern look. Sans serif design-darlings like Helvetica and Arial are often used on minimalist designs and are believed to be more legible on a screen.

Some are bold and loud, like Edo, and others are more reserved and subtle, like Sue Ellen Francisco. These casual and approachable fonts are good for craft projects and cards, but avoid them for long written missives. These are elegant fonts for special occasions like wedding or shower invitations, or for sharing an inspirational quote on social. Display fonts are our quirky attention-grabbers.

Spanning lots of different styles and feelings, they make great headlines and are just generally good at emphasizing your point. Fonts like Backspacer and Laughing Gull almost look like art in and of themselves. Monospaced fonts are exactly what the name suggests: each character inhabits the same amount of fixed space as the next. This category is a holdover from typewriter and early word processor days, but is still widely used because it lends an old-school vibe to text.

Try Share Tech Mono for a super computer-y look, or opt for Anonymous Pro for a more refined, modern monospaced font. Not all fonts work well with other fonts, and it can be tricky and time consuming to figure that out through trial and error. But, if you keep these simple pairing ideas in mind you should end up with a beautiful design that is easy on the eyes. Think complementary, not competing. Combine a big, bold display font with a straightforward sans serif font to create a poster that is both eye-catching as well as informative.

Display fonts like Bungee or Lovelo are made for headlines, while sans serif fonts make perfect supporting characters providing all the pertinent info. Try a poster template to start your next design. Silverline Script has that effortless it-girl flair, and when combined with a serif font — especially a vintage-y one like Harting or Underwood Champion — the look is pure aesthetic gold.

Browse all our Instagram templates to get started. Go for it and pair fonts from within the same family by putting together a bold and a regular font weight, matching up an ALL CAPS version with lower case, or simply by making them different sizes. Notice how this also creates a hierarchy — the bolded text communicates the brand, while the regular text offers a little more information.

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